Fashion Business and Promotion, Student

The Events Management Module has been running for 10 consecutive years and continues to thrive. Its roaring success has made it a resounding favourite module for the Fashion Business and Promotion Students at BCU and with this years first event less than two weeks away, we wanted to know what the hype is all about!

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Events Management is a live module in the second year of the Fashion Business and Promotion Degree, requiring students to work in teams to plan and execute a real life event. Not only do our students carry out this module as a live professional brief, but they start the project with zero budget and must use their entrepreneurial and negotiation skills to fundraise.

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Student, Textile Design

 By Sophie Hawkesford – Print Designer
BA (Hons) Textile Design Graduate 2014
Hi! I’m a freelance printed textile designer and project manager for a textile design studio, and I want to give you a bit of insight into the wonderful career paths that are accessible with a textile design degree.
I think the title ‘textile designer’ is so easily misinterpreted because it is such a blanket term – people usually assume I just design clothing! There are so many different types of textiles that need designing; technical textiles, upholstery textiles, embroidery for textile application, printed textiles and not forgetting automotive textiles. The list goes on….and we haven’t even considered trend forecasting, wallpaper design and retail application!
Laura Hyden x Muck n Brass Collaboration
Laura Hyden x Muck n Brass Collaboration
Applying to study at University can be extremely daunting, especially when you aren’t entirely sure what career path you wish to pursue. I was quite naïve and narrow minded when I began my studies at BCU and did not quite understand the breadth and diversity of direction regarding creativity and employability in the textile industry.
Hopefully by the end of this post you will have discovered at least one new career path that is achievable after studying Textile Design, and be more informed than I was!

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Student, Textile Design

By Sophie Hawkesford
BA (Hons) Textile Design Graduate 2014
Hi! This post is for anybody interested in applying for BA (Hons) Textile Design at Birmingham City University.
To support your application you will be asked to bring your portfolio to an Applicant Taster Day. As a Textile Design graduate I understand how nerve-racking it can be to collate your work into a focused portfolio, ready for a portfolio review. A well thought out portfolio is your tool to making a great first impression to your potential university tutors, as well as being a resource you will continue to use on your creative journey.
Your portfolio is a fantastic opportunity to show who you are beyond your paper application. It’s about your creative ability and your potential – make sure you let your personality shine through!
It is important to understand that portfolios are subjective so what you choose to include is up to you, but if you’re struggling with ideas of what to include or how to structure it take a look at the following guidance:
If you need any more help or information about creating your portfolio head to our School of Fashion and Textiles website.
Staff Profile, Textile Design

What did you study at university?ZH_BCU-Fashion-textiles-jan17-173-web
I studied Textile Design in the late 1990s, specialising in Embroidery.  Creatively, it ignited my interest in structure, craftsmanship and culture, but it also inspired me to aspire to teach.
What are you career highlights?
There are many! My career has had many chapters… An early highlight from my initial fashion industry days, was seeing my embroidered scarf collection on sale in Liberty’s, sharing a table with those of Armani. Later it was seeing the knitwear garments I designed for Marion Foale being showcased at Paris Fashion Week.   As my career focus changed and my interest in craft based livelihoods strengthened, spending a year as a VSO (Voluntary Service Overseas) volunteer developing textile design education in Mongolia was an incredible experience.  It went onto inform my MsC in Applied Development Studies and led onto me re-establishing my own practice again. I now create textile/ceramic art pieces that are made for exhibition and to commission.  This year my work featured in COLLECT: The International Art Fair for Contemporary Objects at the Saatchi Gallery – a personal ambition realised!  Developing an academic and practice career in parallel has not been easy, so achieving Senior Lecturer was certainly a highlight.
What are your specialist areas?
A cross-disciplinary practice and approach to craft and design which involves a broad spectrum of textile specialist skills, combined with design and industry awareness which I explore through 3-dimensional applications of textiles. Also, nurturing creativity and seeking to develop confident, resilient humans are integral parts of my work.

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Costume Design and Practice, Fashion Design, Garment Technology

By Chloe Thorn
BA (Hons) Fashion Design Graduate
So, this post is for anybody interested in applying for BA (Hons) Fashion Design, Costume Design & Practice and Garment Technology courses at Birmingham City University.
To support your application you will be asked to bring your portfolio to an Applicant Taster Day. Your portfolio is a fantastic opportunity to show who you are beyond your paper application. It’s about your creative ability and your potential. You may not have studied a fashion specific course yet, so understandably you may be unsure about what to include in your portfolio.
It is important to understand that portfolios are subjective so what you choose to include is up to you, but if you’re struggling with ideas of what to include or how to structure it take a look at the following guidance:
If you need any more help or information about creating your portfolio head to our School of Fashion and Textiles website.
Graduates, Textile Design

Interviewed by Sophie Hawkesford – Print Designer
BA (Hons) Textile Design Graduate 2014
We caught up with Adriana Gentile, BA (Hons) Textile Design graduate (2013), to learn more about her journey in setting up luxury homewares brand, Adriana Homewares.
Tell us about your role as Founder of Adriana Homewares. How would you describe your normal working day?
My role as founder is mainly focused on coming up with designs for the fabrics. I spend a lot of time liaising with the manufacturers while our fabrics are being produced.
I start by creating a design on my floor loom and then choose a colour palette, from my Pantone swatches. From there I take my ideas through each stage of the manufacturing process working closely with the manufacturers, to create the finished piece.  Getting fabrics produced is quite a lengthy process so that takes up a lot of my time.

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Staff Profile, Textile Design

TD BCU-Fashion-Textiles-268 Kate Farley 10What did you study at University?
I studied Printed Textiles and Surface Design in the mid 1990s. It was a great time for me to explore drawing as well as establishing my own design process, alongside practical print skills.I then studied for an MA in Book Art. This enabled me to develop my design approach in a fine art context, and combine my interest in visual communication and narratives / sequential design which still remains at the forefront of my practice.
What are you career highlights?
In education my career moment has to be now, as Course Director of BA (Hons) Textile Design, working with a really committed team to deliver the best degree course we can. I’ve just received my Senior Fellow of the Higher Education Academy, that recognises my contribution to learning and teaching in Higher Education and this couldn’t have been achieved without this team. As a Designer I’ve worked on so many diverse projects, from designing artwork to be made in gravel, for three large roof-scapes on Birmingham’s QE hospital, to making books that have been bought by the Tate, and creating bespoke patterns for products with the Barbican Centre. I have enjoyed them all and learned lots at the time. Most recently having my designs on posters across the London underground network and in the London Transport Museum shop and archive feels hard to beat.

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Graduates, Textile Design

Interviewed by Sophie Hawkesford – Print Designer
BA (Hons) Textile Design Graduate 2014
I took some time to catch up with Textile Design Graduate, B R O N A G H  T E A G U E , to discuss her exciting, international career in South East Asia.
B R O N A G H  graduated in 2 0 1 4, specialising in Constructed Textiles and has gone from strength to strength in the silk weaving industry, working for design giants Jim Thompson and Soie de Lune.

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Since graduating what industry experiences / roles have you had?
After graduating from the Textile Design course, specialising in Constructed Textiles I moved to Laos, South East Asia to work as a Textile Designer and Business Development consultant at  S O I E  D E  L U N E , a silk hand-weaving business that provides luxurious textiles to interior designers. Inspired by native Laotian designs and textures, I was immediately drawn to the exquisite level of hand-weaving that I’d never quite seen before.

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Fashion Design, Graduates

By Sophie Hawkesford – Print Designer
BA (Hons) Textile Design Graduate 2014
R O S I E  D E N N I N G T O N, a graduate of our School of Fashion and Textiles has showcased her  ‘ W A N D E R L U S T ’  bridal wear collection at London Fashion Week for the first time, featuring a diverse range of models. image1

 

A F T E R  graduating in 2013, specialising in Fashion Design and a pathway in Performance , Rosie joined the Prince’s Trust to help increase her Rosie Red Corsetry and Couture business opportunities – she highly recommends their Enterprise Course. As a result of her involvement with the charity, Rosie, one of ten applicants chosen by the youth charity, was able to make her bridal wear catwalk debut.

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Graduates, Textile Design

Interviewed by Sophie Hawkesford – Print Designer
BA (Hons) Textile Design Graduate 2014
In the wake of her recent win at the London Design Awards, I caught up with Textile Design Graduate, K A T E  H O L L O W O O D, who creates bespoke sculptural lighting and vessels from her studio in Royal Leamington Spa, to see how her eponymous brand has developed since graduating in 2014.
Kate developed her composite material ‘ M A T  R I X ‘ during a six week period of experimentation, whilst in her final year at Birmingham City University, specialising in Print. Testing and application led her to develop this material further to create a statement lampshade – a commission specifically for display on the collaborative  G L O B A L  C O L O R  R E S E A R C H  stand at the Interiors Show NEC, Birmingham, in 2014. Kate’s Matrix material and products continue to evolve, demonstrating thoughtful consideration for colour, form and contemporary design. Each of Kate’s pieces are made to order and as such all are unique and individual. Kate works carefully with her clients to identify aesthetic and practical requirements, to create striking and functional statement pieces for home and commercial interiors.
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