Martin Fautley (Birmingham City University), Pam Burnard and John Finney (Cambridge University), Pauline Adams (Institute of Education), Jonathan Savage (Manchester Metropolitan University).
- How can composers and teachers be supported to work most effectively together?
- How do professional composers make judgements about the quality of compositions and what are the indicators of progression? What correlation is there between these criteria and those of exam boards?
- What does creative progression look like – for example the difference between a Year 7 and a Year 9 composition – and how can we ensure progression within the secondary curriculum, particularly given the genre-based approach?
- What are the challenges around assessing creativity and how can students be supported to take risks, fail and experiment in a system where assessment is central?
To read more go to: http://www.bcu.ac.uk/research/stories/listen-imagine-compose
To read full REF report download the pdf: Birmingham City University – 25 – Creativity in Education